4/16/2024 0 Comments Is omnisphere 1 vs 2With its hundreds of new sounds, remote-controlled ‘Orb’ function and more, I doubt anyone would have felt let down if that marked the winding up of development. The last major update (1.5) arrived four years ago and was free to existing users. Since its appearance in 2008, Spectrasonics’ Omnisphere has enjoyed a celebrated existence for a plug–in synthesizer. It is a shame they don't have a demo or even a "lite" version though it would be interesting to try and see if I would join the cult.This fine instrument is called the ‘Experibass’ and is typical of the lengths Spectrasonics have gone to to provide interesting and unusual material for their soundsources.Īs it reaches its second incarnation, we ask: is Spectrasonics’ Omnisphere the world’s best soft synth? I could just never justify the exorbitant cost, esp with so many great synths that are so much less. But again, I am not criticizing it or anyone who gets it or saying it shouldn't be considered. Really there are so many synths, including very inexpensive or even free ones, which are so good, it's far - far - from "necessary." If you're just starting out with soft synths, I'd try a lot of those inexpensive/free ones as "you get what you pay for" has more holes in it than the Swissiest of cheeses and you may find - in fact I suspect likely will find - Omnisphere, however great it may be, is hardly necessary. I know people who haven't and are quite happy too. People who buy it are happy with it, more power to them. But the same can be said for many other synths costing a LOT less. You can do a lot, and a lot of great things, with Omni no doubt. Like Zebra it's a synth nerd's paradise.Ĭlick to expand.I could say the same for many other synths that really doesn't mean anything. Even if you use Omnisphere to make filithy sounds it'll deliver utter filth for sure, and yet somehow, it's still has a crispness and clarity Kontakt just doesn't deliver. Omnisphere has an overall clarity that's in a league of its own.(Kontakt developers have attempted similar things, but the clarity simply isn't in the same league). The audio effects are killer and cover pretty much any effect scenario you can think of, Innerspace in particular is totally unique.Diego Stoccos custom instruments in particular are otherworldly). A hang drum "bowed" with an electric toothbrush and captured by contact mics. None of the wonky noise you come across in the odd Kontakt library. Its soudset is full of totally unique extended articulations you'll literally not find in any other instrument, all immaculately recorded.Out of the box it can do everything from thoroughly terrifying horror (and I do mean thoroughly terrifying) to shimmery-clean 12 string guitars, and every niche in between. It's deep and covers pretty much anything you can think of (short of orchestral instruments).That says a few things about it as an instrument: 9 out of 10 times the instrument they offer the largest collection of patches for is Omnisphere. Look at all of the major patch developers. If I'm doing a synth heavy track it's totally feasible that I might wind up using more Omnispheres than Kontakts. There isn't a project I do where I don't use it.
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